{"title":"Flash Sale","description":"","products":[{"product_id":"jalen-ngonda-doctrine-of-love","title":"Jalen Ngonda - Doctrine of Love","description":"\u003cp\u003e\u003cstrong\u003eRelease Date: 5th June 2026\u003c\/strong\u003e\u003cbr\u003eLabel: Daptone Records\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eCatalogue No: DAP084LPX\/DAP084LP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eSince the release of his critically acclaimed debut full length, 2023’s Come Around and Love Me, Jalen’s career has undergone a meteoric rise. The track “If You Don’t Want My Love” went viral, garnering 253 million streams to date. Jalen has appeared on a number of major television programmes, including The Graham Norton Show, The Late Show with Stephen Colbert and Later with Jools Holland. He opened for Thee Sacred Souls on their national US tour, and has sold out countless club dates across the globe as a headliner. Now, in 2026, with the embers of his debut still burning brightly, Jalen prepares to release his eagerly awaited sophomore album, Doctrine of Love.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe hard work and relentless touring behind his debut have fortified his craft. His message: “The doctrine of love holds that every thought and action should be guided first by compassion for others, because love is the highest measure of human worth.” The tracks on the forthcoming album are born from this creed. With his deep knowledge and love of classic soul, Jalen delivers authenticity in abundance. Doctrine of Love blends pop sensibility and soulful melodies with raw grit and groove, expanding on the orchestral arrangements of Come Around and Love Me with flourishes of horns and gospel-kissed backing vocals, creating a highly stylish example of modern soul artistry.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cstrong\u003eTracklisting\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e1. Anyone In Love\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. Doctrine Of Love\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. Mr. Train Conductor\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. Burning Temptation\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. Love Is Gone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. I Can’t Ever Leave You\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. Hannah, What’s the Matter?\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. Good Good Love\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9. Hang It On The Shelf\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. Taken Out Of The Picture\u003c\/span\u003e\u003c\/p\u003e","brand":"SRD","offers":[{"title":"Indies Only Clear Vinyl","offer_id":53892901339476,"sku":"DAP084LPX","price":20.0,"currency_code":"GBP","in_stock":true},{"title":"Standard Black Vinyl","offer_id":53892901372244,"sku":"DAP084LP","price":22.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1015\/0808\/8148\/files\/DAP084LPX.jpg?v=1772897828"},{"product_id":"your-brothers-keeper-gary-bartz-where-rivers-meet","title":"Your Brother's Keeper \u0026 Gary Bartz - Where Rivers Meet","description":"\u003cp\u003e\u003cstrong\u003eRelease Date: 19th June 2026\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eLabel: Brownswood\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCatalogue No: BWOOD445LP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eGary Bartz and new London ensemble Your Brother‘s Keeper collaborate on Where Rivers Meet, a deeply intuitive new studio album capturing a rare meeting between generations of jazz musicians. Released on June 19, 2026 via Brownswood Recordings, as the label celebrates its 20th anniversary, the record brings together Bartz’s jazz lineage and a new collective emerging from London’s vibrant jazz scene. The result is music that unfolds with openness and intensity, guided by deep listening and collective improvisation.\u003c\/p\u003e\n\u003cp\u003eAt the centre of the project is Bartz, one of the most influential voices in modern jazz. A saxophonist whose career spans more than five decades, Bartz emerged performing with Charles Mingus, Max Roach and Art Blakey before joining Miles Davis during the trumpeter’s electrifying early-1970s period. He soon became a defining figure of the spiritual jazz movement through his celebrated NTU Troop recordings, creating a body of work that continues to resonate across generations of musicians and listeners alike. His playing - lyrical, searching and unmistakably soulful - remains one of the most distinctive voices in jazz.\u003c\/p\u003e\n\u003cp\u003eThe album also marks the arrival of Your Brother‘s Keeper, a new collective assembled by drummer and producer Jake Long (Maisha) and rooted and shared in musical dialogue and improvisation. Featuring Ali MacSween (piano, synthesizers and modular FX), Axel Kaner-Lidstrom (trumpet), Twm Dylan (double bass), Tim Doyle (percussion) and Chelsea Carmichael (tenor saxophone), alongside Long on drums, the group reflects a scene that has reshaped the sound of contemporary jazz over the past decade.\u003c\/p\u003e\n\u003cp\u003eFFO - Floating Points \u0026amp; Pharoah Saunders - Promises, Shabaka, Yussef Dayes, Nubya Garcia\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST:\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eA1 - Cauldron\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2 - Ground Loop\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA3 - Eclipse\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA4 - Solar Flare\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1 - Locris\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2 - Petrichor\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB3 - Mantra\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/dbG-UMOKQeo?si=XAqf4cHds5HgqDBC\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Republic","offers":[{"title":"1LP Black Vinyl","offer_id":55601132142932,"sku":"BWOOD445LP","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1015\/0808\/8148\/files\/unnamed_25.jpg?v=1776852338"},{"product_id":"dylan-mattingly-the-wild-heart","title":"Dylan Mattingly: The Wild Heart","description":"\u003cp\u003e\u003cstrong\u003eRelease date: 26th June 2026\u003cbr\u003e\u003c\/strong\u003eLabel: Nonesuch\u003cbr\u003eCatalogue No: \u003cspan\u003e0075597892727\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cspan data-originalfontsize=\"8.5pt\" data-originalcomputedfontsize=\"11.333333\"\u003eNonesuch Records releases \u003cem data-removefontsize=\"true\" data-originalcomputedfontsize=\"11.333333\"\u003eThe Wild Heart\u003c\/em\u003e, the label debut from composer \u003cstrong data-removefontsize=\"true\" data-originalcomputedfontsize=\"11.333333\"\u003eDylan Mattingly\u003c\/strong\u003e, \u003c\/span\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/dylanmattingly.lnk.to\/TheWildHeart\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/dylanmattingly.lnk.to\/TheWildHeart\u0026amp;source=gmail\u0026amp;ust=1777039267605000\u0026amp;usg=AOvVaw1twMihbNAkumVrP5IF79bH\"\u003e\u003cem\u003e\u003cspan data-removefontsize=\"true\" data-originalcomputedfontsize=\"11.333333\"\u003eThe Wild Heart\u003c\/span\u003e\u003c\/em\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003cspan data-originalfontsize=\"8.5pt\" data-originalcomputedfontsize=\"11.333333\"\u003e, performed by \u003cstrong data-removefontsize=\"true\" data-originalcomputedfontsize=\"11.333333\"\u003eContemporaneous\u003c\/strong\u003e with conductor \u003cstrong data-removefontsize=\"true\" data-originalcomputedfontsize=\"11.333333\"\u003eDavid Bloom\u003c\/strong\u003e and vocal soloist \u003cstrong data-removefontsize=\"true\" data-originalcomputedfontsize=\"11.333333\"\u003eIarla Ó Lionáird\u003c\/strong\u003e. The vinyl edition features two movements - ‘Ulysses Dances’ and ‘Last Dance’ - from the five-movement work \u003cem data-removefontsize=\"true\" data-originalcomputedfontsize=\"11.333333\"\u003eThe Transmutation Notebooks\u003c\/em\u003e, as well as \u003cem data-removefontsize=\"true\" data-originalcomputedfontsize=\"11.333333\"\u003eSunt Lacrimae Rerum (these are the tears of things)\u003c\/em\u003e. (The CD and digital formats feature all five moments of \u003cem data-removefontsize=\"true\" data-originalcomputedfontsize=\"11.333333\"\u003eThe Transmutation Notebooks\u003c\/em\u003e as well as \u003cem data-removefontsize=\"true\" data-originalcomputedfontsize=\"11.333333\"\u003eSunt Lacrimae Rerum (these are the tears of things)\u003c\/em\u003e.)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cspan data-originalfontsize=\"8.5pt\" data-originalcomputedfontsize=\"11.333333\"\u003eThe two pieces on this album sprang from Mattingly’s six-hour epic composition \u003cem data-removefontsize=\"true\" data-originalcomputedfontsize=\"11.333333\"\u003eHistory of Life\u003c\/em\u003e, which, as Jake Wilder-Smith says in his album liner note, “weaves together a wide array of traditions, styles, and source materials, chief among them Homer’s \u003cem data-removefontsize=\"true\" data-originalcomputedfontsize=\"11.333333\"\u003eOdyssey\u003c\/em\u003e and Charles Darwin’s account of his five-year expedition aboard the HMS \u003cem data-removefontsize=\"true\" data-originalcomputedfontsize=\"11.333333\"\u003eBeagle\u003c\/em\u003e.” \u003cem data-removefontsize=\"true\" data-originalcomputedfontsize=\"11.333333\"\u003eThe Transmutation Notebooks\u003c\/em\u003e takes its name from Darwin’s journals of his travels along the coast of South America.\u003cem data-removefontsize=\"true\" data-originalcomputedfontsize=\"11.333333\"\u003e Sunt Lacrimae Rerum (these are the tears of things\u003c\/em\u003e) was written during the first year of the pandemic, while wildfires blazed in Mattingly’s native California.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cspan data-originalfontsize=\"8.5pt\" data-originalcomputedfontsize=\"11.333333\"\u003eMattingly says, “The goal of my music is to give us an experience of the things we love most about being alive in this world, in a way that reminds us how damn beautiful they are and how much we can love.” He continues, “We don’t have a lot of opportunity in life (or in art) to focus on, to yell for joy about, the things we really love about this world. This music tries to give us that chance as clearly and strongly as possible, to remind us that this is worth it, to allow us to be swept over by the massive force of waves, to be small in the face of a massive, beautiful universe.”\u003c\/span\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cspan data-originalfontsize=\"8.5pt\" data-originalcomputedfontsize=\"11.333333\"\u003eSpeaking of his unique compositional style, the composer says, “everything on this album has at least one re-tuned piano, and the harp is re-tuned in \u003cem data-removefontsize=\"true\" data-originalcomputedfontsize=\"11.333333\"\u003eThe Transmutation Notebooks\u003c\/em\u003e, too. Many of the notes have literally never been heard before. But because they’re on these instruments where we expect the tuning to be fixed, like a piano, our brain instantly accepts them, and says, ‘OK, I guess this is the world.’ In that instant act of transformation, your brain tells you that you’re hearing something entirely new, that you’re in an alien world.\u003c\/span\u003e \u003cspan data-originalfontsize=\"8.5pt\" data-originalcomputedfontsize=\"11.333333\"\u003eThat puts us in this state of mind where we hear everything new. So then the music gives us the things we all love - I, IV, V chords (the music that’s at the heart of everything, the harmonic language we were born into) - but in this state of receptivity, we hear it as if for the first time. The things we love so much about the world feel suddenly present and alive, not a reference to some other time, or thousand times, we’ve heard them, but joyfully new.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cstrong\u003e\u003cspan data-originalfontsize=\"8.5pt\" data-originalcomputedfontsize=\"11.333333\"\u003eIarla Ó Lionáird\u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-originalfontsize=\"8.5pt\" data-originalcomputedfontsize=\"11.333333\"\u003e - one of the leading contemporary vocalists of the traditional \u003cem data-removefontsize=\"true\" data-originalcomputedfontsize=\"11.333333\"\u003esean nós\u003c\/em\u003e Irish song style - is featured on two movements from \u003cem data-removefontsize=\"true\" data-originalcomputedfontsize=\"11.333333\"\u003eThe Transmutation\u003c\/em\u003e \u003cem data-removefontsize=\"true\" data-originalcomputedfontsize=\"11.333333\"\u003eNotebooks\u003c\/em\u003e. (Mattingly first heard the singer on Donnacha Dennehy’s Nonesuch recording of \u003cem data-removefontsize=\"true\" data-originalcomputedfontsize=\"11.333333\"\u003eGrá agus Bas\u003c\/em\u003e). Mattingly considers Ó Lionáird to be a “modern-day Homeric bard,” singing in an “imagined tradition of oral epic, as if it had evolved continuously over 2700 years.”  \u003c\/span\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cspan data-originalfontsize=\"8.5pt\" data-originalcomputedfontsize=\"11.333333\"\u003eMattingly began work on \u003cem data-removefontsize=\"true\" data-originalcomputedfontsize=\"11.333333\"\u003eSunt Lacrimae Rerum \u003c\/em\u003ein the fall of 2020, as he looked out on a smoke-darkened day during the already fraught Covid period. He thought of Aeneas’ lines from Homer’s \u003cem data-removefontsize=\"true\" data-originalcomputedfontsize=\"11.333333\"\u003eThe Aeneid\u003c\/em\u003e: \u003cem data-removefontsize=\"true\" data-originalcomputedfontsize=\"11.333333\"\u003esunt lacrimae rerum, et mentem mortalia tangunt. \/ Solve metus; feret haec aliquam tibi fama salutem\u003c\/em\u003e. (These are the tears of things, the stuff of lives touches my soul. \/ Release your fear: our story carries some salvation.) Wilder-Smith says, “In these ancient lines, the composer recognized ‘a statement of profound optimism’ in the face of personal and collective loss. So while \u003cem data-removefontsize=\"true\" data-originalcomputedfontsize=\"11.333333\"\u003eSunt Lacrimae Rerum\u003c\/em\u003e may have emerged in a moment of great loss and uncertainty, it is no elegy … it strives to sound out a world not yet in existence, released from the haze of present anxieties and past defeats. “\u003c\/span\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cstrong\u003e\u003cspan data-originalfontsize=\"8.5pt\" data-originalcomputedfontsize=\"11.333333\"\u003eDylan Mattingly\u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-originalfontsize=\"8.5pt\" data-originalcomputedfontsize=\"11.333333\"\u003e is a composer who creates music that offers ecstatic, transformative experience. Many of his projects exist on a massive scale, the results of his pursuit of projects from the wild reaches of his imagination. This practice was informed by the decade-long process of creating, developing, and bringing to life \u003cem data-removefontsize=\"true\" data-originalcomputedfontsize=\"11.333333\"\u003eStranger Love\u003c\/em\u003e, his six-hour opera, commissioned by the LA Phil, that premiered in 2023 at Walt Disney Concert Hall. Mattingly’s music also has been commissioned and performed by the Ojai Music Festival, the Cabrillo Festival of Contemporary Music, the Berkeley Symphony, the Del Sol String Quartet, Sarah Cahill, Kathleen Supové, the Albany Symphony, Contemporaneous, ZOFO Duet, John Adams, Marin Alsop, and many others. He has been \u003cem data-removefontsize=\"true\" data-originalcomputedfontsize=\"11.333333\"\u003eMusical America\u003c\/em\u003e’s New Artist of the Month and was awarded the Charles Ives Scholarship by the American Academy of Arts and Letters, among other honors. Mattingly has held residencies at the Ucross Foundation and the Harrison House Arts \u0026amp; Ecology Center. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cspan data-originalfontsize=\"8.5pt\" data-originalcomputedfontsize=\"11.333333\"\u003eDylan Mattingly also is the executive and co-artistic director of the new-music ensemble \u003cstrong data-removefontsize=\"true\" data-originalcomputedfontsize=\"11.333333\"\u003eContemporaneous\u003c\/strong\u003e - a group of twenty-five musicians whose mission is to bring to life the most transformative music by living composers through performances, commissions, recordings, and educational programs. In the tradition of the ensembles founded by Philip Glass, Meredith Monk, and Steve Reich early in their careers, the ensemble has mastered a body of music whose idiosyncratic demands and epic proportions do not fit neatly into the institutional calendars of symphony orchestras or traditional opera companies. Described as “exact and detailed, but also lively and openly dancing” by the \u003cem data-removefontsize=\"true\" data-originalcomputedfontsize=\"11.333333\"\u003eNew York Times\u003c\/em\u003e and “leading new music towards its better self” by\u003cem data-removefontsize=\"true\" data-originalcomputedfontsize=\"11.333333\"\u003e I Care If You Listen\u003c\/em\u003e, Contemporaneous particularly champions the creation of large-scale works and “dream projects,” which composers might not otherwise have opportunities to realize due to scale.\u003c\/span\u003e \u003cspan data-originalfontsize=\"8.5pt\" data-originalcomputedfontsize=\"11.333333\"\u003eBased in New York City and active throughout the United States, Contemporaneous has premiered more than 200 new works, and has been presented by institutions such as Carnegie Hall, Lincoln Center, Park Avenue Armory, the Los Angeles Philharmonic, Walt Disney Concert Hall, PROTOTYPE Festival, Merkin Concert Hall, MATA Festival, St. Ann’s Warehouse, and Bang on a Can. The ensemble has worked with artists such as David Byrne, Donnacha Dennehy, Iarla Ó Lionáird, Dawn Upshaw, and Julia Wolfe.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e \u003c\/p\u003e","brand":"Warner","offers":[{"title":"1LP 140-gram black vinyl","offer_id":55655524598100,"sku":null,"price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1015\/0808\/8148\/files\/IMG-9635.jpg?v=1777354368"},{"product_id":"cecile-mclorin-salvant-with-every-breath-i-take","title":"Cécile McLorin Salvant - With Every Breath I Take","description":"\u003cp\u003e\u003cstrong\u003eRelease Date: 26th June 2026\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eLabel: \u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003eNonesuch\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eCatalogue No: 0075597896138\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eCécile McLorin Salvant\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e’s first album with orchestra, \u003cb\u003e\u003ci\u003eWith Every Breath I Take\u003c\/i\u003e\u003c\/b\u003e\u003ci\u003e \u003c\/i\u003efeatures The Netherlands’ \u003cb\u003eMetropole Orkest\u003c\/b\u003e conducted by \u003cb\u003eJules Buckley\u003c\/b\u003e.  Salvant and the ensemble perform timeless \u003cwbr\u003esongs newly arranged by composer and bandleader \u003cb\u003eDarcy James Argue\u003c\/b\u003e. Salvant tours internationally throughout \u003cwbr\u003ethe summer and fall.\u003c\/wbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eSalvant, who has performed with orchestras regularly over the last decade-and-a-half and intended to make an album with one sooner in her career, but logistics and her \u003cwbr\u003eabundant creative ideas led to other new projects intervening. \u003cwbr\u003eHaving finally found time to make this album, \u003ci\u003eWith Every Breath I Take \u003c\/i\u003eis a different sort of record than it might have been even ten years ago.\u003c\/wbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e“It is a rare opportunity to be able to make an album at this scale, which has been a dream of mine for many years,” Salvant says. “Darcy James Argue wrote stunning arrangements and the Metropole Orkest, conducted by the extraordinary Jules Buckley, gave these stories a cinematic dimension. We overcame quite a few obstacles to even get into the recording studio for this project; it took almost four years for us to do so, and I am so incredibly proud to share it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e“I did not choose these songs because they are beautiful, but because they are crucial to me,” she adds.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eCécile McLorin Salvant, a 2020 MacArthur Fellow and three-time Grammy Award winner, is a singer and composer bringing historical perspective, a renewed sense of drama, and an enlightened musical understanding to both jazz standards and her own original compositions. Classically trained, steeped in jazz, blues, and folk, and drawing from musical theater and vaudeville, Salvant embraces a wide-ranging repertoire that broadens the possibilities for live performance.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eSalvant’s performances range from spare duets for voice and piano to instrumental trios to orchestral ensembles. Her unreleased work \u003ci\u003eOgresse\u003c\/i\u003e is an ambitious long-form musical fairy tale that is being made into a feature length animated film. She has performed at national and international venues and festivals such as the Newport Jazz Festival, the Monterey Jazz Festival, the Village Vanguard, and the North Sea Jazz Festival. Her previous Nonesuch albums, \u003ci\u003eGhost Song \u003c\/i\u003e(2022) \u003ci\u003eMélusine \u003c\/i\u003e(2023), \u003cwbr\u003eand \u003ci\u003eOh Snap \u003c\/i\u003e(2025) received critical accolades; the former two were both nominated for Grammy Awards. Salvant is also a visual artist, and \u003ci\u003eOh Snap \u003c\/i\u003ewas named a best album of 2025 by the \u003ci\u003eGuardian, Jazzwise, \u003cwbr\u003eJazzTimes, \u003c\/wbr\u003e\u003c\/i\u003eand the Francis Davis Jazz Critics Poll.\u003c\/wbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eTRACKLIST: \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. With Every Breath I Take  (Cy Coleman and David Zippel)\u003cbr\u003e2. Sophisticated Lady  (Music by Duke Ellington, lyrics by Mitchell Parish and Irving Mills)\u003cbr\u003e3. Send in the Clowns  (Stephen Sondheim)\u003cbr\u003e4. Barbara Song  (Music by Kurt Weill, lyrics by Bertold Brecht)\u003cbr\u003e5. Left Over  (Cécile McLorin Salvant)\u003cbr\u003e6. Ever Since the One I Love’s Been Gone (Buddy Johnson)\u003cbr\u003e7. Les Parapluies de Cherbourg  (Music by Michel Legrand, lyrics by Jacques Demy)\u003cbr\u003e8. I’ll See You Again  (Noël Coward)\u003cbr\u003e9. Being Alive  (Stephen Sondheim)\u003cbr\u003e10. Lush Life  (Billy Strayhorn)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ciframe height=\"450\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px;\" src=\"https:\/\/embed.music.apple.com\/gb\/album\/with-every-breath-i-take\/1888635271\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Warner","offers":[{"title":"Heavyweight 140-gram high-performance double vinyl","offer_id":55687708967252,"sku":"0075597896138","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1015\/0808\/8148\/files\/CECILEMcLORINSALVANTWithEveryBreathITakeLPmockup_sticker.jpg?v=1777708188"},{"product_id":"okonski-entrance-music","title":"Okonski - Entrance Music","description":"\u003cp\u003e\u003cstrong\u003eRelease Date: 28th February 2025\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eLabel: \u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003eColemine\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eCatalogue No: CLMN12063LPC1\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAfter nearly two years, Okonski returns with Entrance Music - an album that finds the trio at the height of their improvisational prowess and celebrating the spontaneous and meditative. On the heels of 2023’s debut Magnolia, pianist and leader Steve Okonski has reconvened long-time musical collaborators (Durand Jones and the Indications bandmate Aaron Frazer on drums and bassist Michael Isvara “Ish” Montgomery) for another session in the spirit of artists like the Bad Plus, Gerald Clayton, and The Breathing Effect.\u003c\/p\u003e\n\u003cp\u003eUltimately Entrance Music serves as an invitation to early hours, where songs linger in the doorway, announcing their presence before returning to the air, in a meticulous drift into the next. Recorded over a five day session, Entrance Music was one of the first albums committed to tape at Portage Lounge, Terry Cole’s studio in Loveland, OH. “It was a new setup, but with Terry behind the dials it was very familiar,” says Okonski. “I can’t emphasize enough how much Terry feels like a fourth member [of the band] because of the space he’s curating, the energy he is bringing, and the production ideas.”\u003c\/p\u003e\n\u003cp\u003eThe energy and sound created with the Colemine labelhead at the helm makes for a listening experience equally at home with ECM or Stones Throw catalogues. From the rippling notes of the pastoral opener, “October,” Entrance Music is lush with anticipation, both band and listener feeling the tension in the tranquility — where the interplay of jazz improvisation and boom bap beats never shortchanges the musicianship but the talent is ever in service of the song. While the band does not play together as often as they would like, not much time is needed for the three to lock in. Montgomery’s bass opening to “Passing Through” bends and moves with a singular meditative grace before piano and percussion joins the daylight filling a room with breath and light. If Magnolia resonated with last calls and late nights, Entrance Music counters with early mornings and first cups of coffee. Whereas much of the debut resonates with his time in New York, Entrance Music “feels a little less ‘on the streets at 2 A.M.’ and a little more nature-based…a little more ethereal,” says Okonski. “It’s definitely age, environment, and family — all of that does come through in the music.”\u003c\/p\u003e\n\u003cp\u003e\u003ciframe height=\"450\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px;\" src=\"https:\/\/embed.music.apple.com\/gb\/album\/entrance-music\/1781719888\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Cargo","offers":[{"title":"1LP Orange and Black Swirl vinyl","offer_id":55797623783764,"sku":"CLMN12063LPC1","price":21.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1015\/0808\/8148\/files\/click_14c5442b_thumbnail_4096.webp?v=1778756930"},{"product_id":"barney-wilen-french-story-movie-themes-from-france","title":"Barney Wilen - French Story (Movie Themes From France)","description":"\u003cp\u003e\u003cstrong\u003eRelease Date: 3rd July 2026\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eLabel: Music On Vinyl\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eCatalogue No: MOVLPB3183\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFrench tenor saxophonist and jazz composer Barney Wilen is best known for his contributions to soundtracks and has worked amongst jazz giants as Miles Davis, Art Blakey and Thelonious Monk. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn 1989, he recorded French Story at Studio 44 in The Netherlands together with the Mal Waldron trio, consisting of the jazz pianist Mal Waldron, Stafford James on bass and Eddie Moore on drums. They recorded eight jazz compositions from classic French movies, “Julien Dans L’Ascenseur\/Florence Sur Les Champs-Elysées” and “Générique” amongst others. Miles Davis’ original composition \"Julien Dans L'Ascenseur\/Florence Sur Les Champs-Eylsées\" comes from his famous album Ascenseur Pour L’échafaud and “Les Feuilles Mortes (Autumn Leaves)” origins from the French film Les Portes de la Nuit which is one of Yves Montand’s classic chansons and \"Un Homme Et Une Fille\" is a classic French movie theme.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWilen’s album was released in 1990 on the Dutch jazz label Timeless Records. In 1992, the album first appeared on vinyl, but only consisted of six tracks. The full album is being reissued in its entirety and includes the tracks “No Problem” and “Quiet Temple”. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFrench Story (Movie Themes From France)\u003c\/span\u003e\u003cspan\u003e is available as a 2LP on black vinyl and affixed on the protective sleeve is the 50th Anniversary Timeless Jazz sticker.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSide A\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e1. Un Homme Et Une Femme \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e2. Julien Dans L’Ascenseur \/ Florence Sur Les Champs-Elysées \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSide B\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e1. Les Parapluies de Cherbourg \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e2. No Problem \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSide C\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e1. Manhã De Carnaval \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e2. Générique \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSide D\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e1. Les Feuilles Mortes (Autumn Leaves) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e2. Quiet Temple \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Proper","offers":[{"title":"2LP 180g Audiophile Black Vinyl","offer_id":55802878689620,"sku":"MOVLPB3183","price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1015\/0808\/8148\/files\/square-image_17.jpg?v=1783086565"},{"product_id":"joe-hisaishi-conducts-steve-reich-the-desert-music-joe-hisaishi-the-end-of-the-world","title":"Joe Hisaishi Conducts: Steve Reich: The Desert Music\/Joe Hisaishi: The End of the World","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cstrong\u003eRelease Date: 29th May 2026\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003eLabel: Deutsche Grammophon\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eCatalogue No: 4877625\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003eBrand new live album from Joe Hisaishi containing the repertoire \u003cem\u003eThe End of the World\u003c\/em\u003e composed by Hisaishi himself and \u003cem\u003eThe Desert Music\u003c\/em\u003e by Steve Reich.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eIt features the Futures Orchestra Classics and The Philharmonic Chorus of Tokyo and was recorded at Suntory Hall, Tokyo, on 31st July 2024.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eJoe started the “JOE HISAISHI FUTURE ORCHESTRA CLASSICS” series of concerts to showcase works he loved from a conductor’s perspective, forming a new orchestra “Future Orchestra Classics”. 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